Cultural Destination

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Idrus Tintin Cultural Center

The Idrus Tintin Cultural Centre (photo: Suryapost)

Idrus Tintin Cultural Center

Idrus Tintin Art Pavilion is an exhibition and cultural building in Pekanbaru. With a unique Riau-Malay style architecture, this building became the center of art and the Indonesian Film Festival (FFI) event in 2007. The name of the building was derived from a theater art innovator in Riau, Idrus Tintin.

Cultural Tourism Destination

Idrus Tintin Cultural Center

Tourist Attractions in Riau

Riau

Batik Motifs

Pucuk Rebung Riau

Pucuk Rebung symbolizes heart determination in achieving goals, good luck, and

Awan Larat Riau

This motif is usually associated with gentleness, wisdom, and

Tabir Tanjung

Tanjung flower is a type of Cherry tree flower, which is commonly found in

Kasih Tak Sampai

‘Kasih Tak Sampai’ is an idiom in the Indonesian language which refers to

 

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Indonesian

Batik

Motifs

Parang Seling

Parang Seling or “alternating daggers” is a royal batik motif. It is a feminine variant of

Jumputan Bintang

The word Jumputan means the tie-dye technique, while the word “Bintang” refers to

Awan Larat Riau

This motif is usually associated with gentleness, wisdom, and

Burung Bidadari

Bidadari birds are endemic birds in Halmahera. This motif represents an

Biji Kopi

The coffee seeds motif illustrates the pride of local coffee specialities in

Awan Berarak

Awan Berarak is a combination of Dayak motifs and Malay patterns. The word ‘Awan Berarak’ means the

Gedhog Kembang Waluh

a combination of Javanese cultural motif of the Majapahit kingdom (XII-XIV century) with

Prada Papua

The word “Prada” in the Javanese-Indonesian dialect means a batik textile that

Anggrek Tewu

This motif is created based on the local wisdom and philosophy of

Barong Bali

The Barong refers to the mythological animal with supra-natural

Tabir Tanjung

Tanjung flower is a type of Cherry tree flower, which is commonly found in

Hiu Taliyasan

Indonesia is also home to the world’s largest fish, the whale shark (Rhincodon typus). Hiu Taliyasan refers to

Pohon Hayat (Tree of Life)

The Batik motifs in Lampung are dominated by the acculturation of Buddhist and

Paqbarre Allo

The word “Barre” means round and “Allo” means the sunlight. This motif is interpreted as

Kaharingan

The Kaharingan or ‘tree of life’ based on the Dayak tribes’ belief system. This tree symbolizes

Jagung

The philosophy of the corn motif illustrates the dream and

Bayam Raja

The Raja Bayam Sasirangan motif illustrates the social status of

Rasamala

The Rasamala Batik motif is associated with a story when the Dutch came

Merak Lasem

The peacock is considered to be the king of the birds. It represents

Peresean

The Peresean is a game that sometimes some kinds of magic are

Angsa Duo

According to legend, the Angso duo batik motif is a pair of swans that are believed to have led Princess

Sekomandi

Its philosophical meaning is the eternal union which refers to a saying “until death do us part”

Karawo Pinang

Pinang refers to the Palm areca tree. This motif is considered as the original

Asmat Papua

The batik motif illustrates the Asmat’s sacred tribal motifs that are

Rangkiang

The word “Rangkiang” refers to the rice granary in the Minangkabau language. It symbolizes

Ikan tambal

The word “Ikan” refers to fish. The philosophical meaning of Ikan Tambal means is

Pantai Ambon

Ambon city batik depicts the natural wealth and marine life of

Kuda Sepasang

For the people of Kupang, having a strong horse is a matter of

Jupri Kembang Teh

Kembang Teh illustrates the tendrils of tea plants that grow in the highlands of

Tidayu

The name of this motif is the acronym of three ethnics namely,

Wakatobi

It symbolizes the coastal beauty of the Wakatobi island and the symbol of Patra symbolizes

Cengkeh

The clove flower motif is the main commodity of the Tolitoli Regency. This motif represents

Teguh Bersatu

This batik motif shows the strength of the people of Kupang. It also represents a sense of

Kuda Kupang

Horses symbolize wealth. It contains noble values of virtuous characters that bring

Kaganga Tanah Rejang

If Batik Besurek combines Arabic calligraphy motifs, then the Kaganga batik takes

Tikar Natuna

The Tikar Natuna motif is adapted from the traditional making of pandanus mats in

Kawung

The Kawung motif was created by Sultan Agung Hanyokrokusumo (1593 – 1645) as a symbolic gift for

Taiganja

Taiganja is a precious gold pendant that shows the social status of the Kaili family. It is

Lontara

The Lontara script itself is a typical ancient script of Bugis and Makassar communities. History records that

Merak Ngeram

The hatching peacock motif has a very deep meaning which refers to the sacrifice and

Kerawang Tegak Aceh

The Vertical Upright (Kerawang Tegak) Motif symbolizes a person who has a strong

Tanah Liek

The word “Tanah Liek” refers to clay in Minang language. It is also known as

Sinaran

This pattern originates from Cirebon. It represents the reflection of

Honai

The Honai is inspired by the traditional house of the Papuan community living in

Rutun Penyu

This motif describes the local wisdom which favours modesty and

Daun Lada Hitam

The black pepper motif represents the main commodity of Bangka Belitung

Salakanagara

Salakanagara batik motif illustrates the first kingdom in the Betawi land

Pucuk Rebung Riau

Pucuk Rebung symbolizes heart determination in achieving goals, good luck, and

Mega Mendung

Mega Mendung signifies the cloud. This motif means to stay

La Galigo

La Galigo is a literary work of the Buginese Epic that has 300 thousand epic lines. It is considered even

Rumah Mamuju

the Batik motif illustrates the house of Mamuju King with the stairs, located on the left of the wooden stage house

Kerawang Datar

This motif symbolizes the embodiment of of religious values for

Sandeq

Sandeq Boat is a symbol of the maritime importance of the West Sulawesi region. The greatness of

Teluk Tomini

This motif illustrates the beauty of underwater life in

Dayak Kamang

Kamang motif is generally found in the Dayak tribe shield because it is believed to

Gentala Arasy

Built as high as 80 meters, the tower also highlights the historical side of

Penari Melayu

Penari Melayu illustrates the traditional dance of Malay ethnic in

Pati-Pati Pinehiku

It symbolizes the hierarchy in society and the social status of the Mekongga

Kamaro Timika

This motif is inspired by sacred symbols of Kamaro communities in

Lok Baintan Floating Market

As you can imagine, the most authentic thing is that you can buy things and even

Desa Na Tolu

The Desa Na Tolu characteristic pattern symbolizes the Batak philosophy of existence and

Ondel-ondel

Ondel – ondel is Betawi traditional icons. This motif signifies

Waruga

Minahasa batik motifs are adopted from Waruga. Waruga is the

Pintu Aceh

The motif is inspired by Aceh’s traditional architecture that has

Gajah Mungkur

Semantically, it means a huge longing emotion trapped in the

Alam Pantai

The word “Alam Pantai” refers to the natural beauty of

Tengkawang Ampiek

With its many advantages, the Dayaks use this leaf in ritual ceremonies. This plant is a symbol of

Karawo Mahkuta

Mahkuta refers to Gorontalo’s traditional crown. It represents noble characters of

Gorga Simeol-Meol

The Gorga Simeol-meol is a pattern of plant tendrils. it is regarded as a symbol of longevity and

Samudra

This art painting means to be strong-willed person to pursue

Banji Cirebon

The Banji motif is the symbol of protection and

Bintik Tujuh

The Bintik Tujuh (Seven Dots) motif has 7 white spots and green color gradation as

Leuit Sijimat

This motif reflects the daily activities of the Baduy tribe in Banten. The main ornaments of batik motif consist of:

Raja Ampat

Raja Ampat motif represents the marine life at Raja Ampat archipelago in

Gurdo Solo

Gurdo or garuda bird is the mount of the Indian god Vishnu. As the Sun Bird,

Durian Pecah

Broken Durian motifs depict the foundation of faith. The second half signifies the mastery of

Keluak Daun Pakis

The word “Keluak” is a Minang language which means twisted or tangled. The Motif of

Pinawetengan

The Pinawetengan Batik pattern was taken from a prehistoric inscription in

Tampuk Manggis Sasirangan

The motif illustrates the philosophy of the mangosteen fruit, which is

Wirasat

Wirasat or divine inspiration is a gift from God. This inspiration is symbolized by

Kain Cual

Cual textile tradition has existed since the 17th century. The word “Cual” refers to

Gonggong Siput

Gonggong (Strombus Turturella) is one type of sea snail found around

Enggang Dayak

Local people beliefs that hornbills are an incarnation of the Commander of the Birds. It has supernatural

Gonggong Beruntun

This motif illustrates that a person should maintain a positive attitude and

Sido Mulyo

Sidomulyo is one of the classical motifs, which is specifically used for the bride’s costume in

Daun Sirih

This motif illustrates betel leaves that are used by Lombok communities as traditional

Tangerang Herang

Tangerang Herang motif is a symbol of Tangerang city. The Tangerang Herang batik motif consists of

Pisang Bali

This batik motif is usually given by a person to his/her lover who is

Mahkota Siger

Siger is the crown of a noblewoman in ancient time. It is a symbol of femininity, strength, and

Bultiya

The word ‘Bultiya’ is an acronym of the three major tribes in North Kalimantan, namely

Insang Ikan

Insang refers to the gills of the fish. This is a typical pattern of Malay ethnic who inhabits

Buketan Bali

The Balinese bouquet (Buketan Bali) is a floral arrangement and the name is

Malinau Cultural Festival

You will witness a unique competition that might not be found other than in

Tifa Papua

This motif was derived from traditional Papuan musical instruments,

Pucuk Mekar

This motive reflects the joy and gratitude to God over the grace of

Parang Rusak

Another meaning behind this motif is an unconquerable spirit, symbolized by

Tongkonan

Toraja’s traditional house is called Tongkonan. Tongkonan is a place for

Manguni Minahasa

Manguni is identified as the symbol of the Minahasa people. Manguni is known as a

Kalo Sara

Kalo Sara is a sacred motif for Tolaki ethnic. It is considered as

Pala Salawaku

This motif illustrates the unique weapons of the Maluku region, namely