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Cual Woven Textile Museum
This museum is the first and only museum in Pangkalpinang that provides insight into the typical woven fabric of Bangka Belitung. Ishadi Cual Fabric Museum displayed a 200-years-old woven fabric and other precious textile heritage. Cual weaving was originally a traditional cloth from the Muntok region, developed around the 17th century. Cual woven cloth is very famous for its smooth texture. Its variety of flora and fauna patterns stand out like a relief of motifs when viewed from a distance.
Tourist Attractions in Bangka Belitung
Lengkuas Island
Lengkuas Island can be reached for just 30 minutes with a speedboat from Tanjung Kelayang
Bangka Belitung
Batik Motifs
Daun Lada Hitam
The black pepper motif represents the main commodity of Bangka Belitung
Biji Kopi
The coffee seeds motif illustrates the pride of local coffee specialities in
Kain Cual
Cual textile tradition has existed since the 17th century. The word “Cual” refers to
Daun Simpor
This motif is inspired by the Simpor plant (Dillenia Suffruticosa) which is a typical
Discover
Indonesian
Batik
Motifs
Wakatobi
It symbolizes the coastal beauty of the Wakatobi island and the symbol of Patra symbolizes
Malinau Cultural Festival
You will witness a unique competition that might not be found other than in
Jumputan Bintang
The word Jumputan means the tie-dye technique, while the word “Bintang” refers to
Pati-Pati Pinehiku
It symbolizes the hierarchy in society and the social status of the Mekongga
Buketan Bali
The Balinese bouquet (Buketan Bali) is a floral arrangement and the name is
Awan Berarak
Awan Berarak is a combination of Dayak motifs and Malay patterns. The word ‘Awan Berarak’ means the
Tengkawang Ampiek
With its many advantages, the Dayaks use this leaf in ritual ceremonies. This plant is a symbol of
Desa Na Tolu
The Desa Na Tolu characteristic pattern symbolizes the Batak philosophy of existence and
Burung Bidadari
Bidadari birds are endemic birds in Halmahera. This motif represents an
Daun Simpor
This motif is inspired by the Simpor plant (Dillenia Suffruticosa) which is a typical
Gajah Way Kambas
The motif illustrates the Lampung’s natural reserve, the Way Kambas. it also symbolizes
Dayak Kamang
Kamang motif is generally found in the Dayak tribe shield because it is believed to
Ake Patra
Ake is related to the divinity and the composition of the universe. It is a symbol of
Taiganja
Taiganja is a precious gold pendant that shows the social status of the Kaili family. It is
Sero Tangga
The Sero Tangga illustrates an endearing feeling and sacrifices of a person to fulfil
Gorga Simeol-Meol
The Gorga Simeol-meol is a pattern of plant tendrils. it is regarded as a symbol of longevity and
Tikar Natuna
The Tikar Natuna motif is adapted from the traditional making of pandanus mats in
Ukir Sentani
The Ukir motif is a batik motif that is inspired by various traditional Sentani wood carvings
Kuda Kupang
Horses symbolize wealth. It contains noble values of virtuous characters that bring
Bekantan Pakis
This motif represents Pakis Haji (Polystichum setiferum), an endemic plant in
Lontara
The Lontara script itself is a typical ancient script of Bugis and Makassar communities. History records that
Manguni Minahasa
Manguni is identified as the symbol of the Minahasa people. Manguni is known as a
Daun Sirih
This motif illustrates betel leaves that are used by Lombok communities as traditional
Teguh Bersatu
This batik motif shows the strength of the people of Kupang. It also represents a sense of
Biji Kopi
The coffee seeds motif illustrates the pride of local coffee specialities in
Cengkeh
The clove flower motif is the main commodity of the Tolitoli Regency. This motif represents
Tongkonan
Toraja’s traditional house is called Tongkonan. Tongkonan is a place for
Pinawetengan
The Pinawetengan Batik pattern was taken from a prehistoric inscription in
Merak Ngeram
The hatching peacock motif has a very deep meaning which refers to the sacrifice and
Leuit Sijimat
This motif reflects the daily activities of the Baduy tribe in Banten. The main ornaments of batik motif consist of:
Pucuk Rebung Riau
Pucuk Rebung symbolizes heart determination in achieving goals, good luck, and
Mahkota Siger
Siger is the crown of a noblewoman in ancient time. It is a symbol of femininity, strength, and
Keluak Daun Pakis
The word “Keluak” is a Minang language which means twisted or tangled. The Motif of
Gamolan
This motif illustrates Gamolan, a bamboo musical instrument of Lampung that is
Sido Mulyo
Sidomulyo is one of the classical motifs, which is specifically used for the bride’s costume in
Bomba Mawar
This motif means sacred love for family, kingdom, and God; It also illustrates
La Galigo
La Galigo is a literary work of the Buginese Epic that has 300 thousand epic lines. It is considered even
Tifa Totobuang
The batik motifs illustrate Maluku’s traditional music instrument called
Besurek Rembulan
This batik illustrates praise for God who created the wonderful universe
Gurdo Solo
Gurdo or garuda bird is the mount of the Indian god Vishnu. As the Sun Bird,
Kaharingan
The Kaharingan or ‘tree of life’ based on the Dayak tribes’ belief system. This tree symbolizes
Bultiya
The word ‘Bultiya’ is an acronym of the three major tribes in North Kalimantan, namely
Angsa Duo
According to legend, the Angso duo batik motif is a pair of swans that are believed to have led Princess
Gigi Haruan Lidi
The Gigi Haruan Lidi motif is taken from the name of the cork fish and is a symbol of
Singayaksa
The Singayaksa motif comes from the name of a place where Sultan Hasanuddin used to
Bale Lumbu
This motif signifies the welfare of the ancient Sasak society. Bale also symbolizes the
Enggang Dayak
Local people beliefs that hornbills are an incarnation of the Commander of the Birds. It has supernatural
Durian Pecah
Broken Durian motifs depict the foundation of faith. The second half signifies the mastery of
Insang Ikan
Insang refers to the gills of the fish. This is a typical pattern of Malay ethnic who inhabits
Rumah Mamuju
the Batik motif illustrates the house of Mamuju King with the stairs, located on the left of the wooden stage house
Gentala Arasy
Built as high as 80 meters, the tower also highlights the historical side of
Honai
The Honai is inspired by the traditional house of the Papuan community living in
Pala Salawaku
This motif illustrates the unique weapons of the Maluku region, namely
Prada Papua
The word “Prada” in the Javanese-Indonesian dialect means a batik textile that
Tubo Kelapa
Coconut tree is a symbol of a good character and strong mentality. It illustrates the more success a person, the more
Karawo Pinang
Pinang refers to the Palm areca tree. This motif is considered as the original
Gonggong Siput
Gonggong (Strombus Turturella) is one type of sea snail found around
Hiu Taliyasan
Indonesia is also home to the world’s largest fish, the whale shark (Rhincodon typus). Hiu Taliyasan refers to
Bintik Tujuh
The Bintik Tujuh (Seven Dots) motif has 7 white spots and green color gradation as
Wirasat
Wirasat or divine inspiration is a gift from God. This inspiration is symbolized by
Pattimura
Pattimura is the name of an Indonesian hero who fought against colonialism in
Kawung
The Kawung motif was created by Sultan Agung Hanyokrokusumo (1593 – 1645) as a symbolic gift for
Rangkiang
The word “Rangkiang” refers to the rice granary in the Minangkabau language. It symbolizes
Pohon Hayat (Tree of Life)
The Batik motifs in Lampung are dominated by the acculturation of Buddhist and
Tampuk Manggis Sasirangan
The motif illustrates the philosophy of the mangosteen fruit, which is
Jupri Kembang Teh
Kembang Teh illustrates the tendrils of tea plants that grow in the highlands of
Parang Seling
Parang Seling or “alternating daggers” is a royal batik motif. It is a feminine variant of
Sandeq
Sandeq Boat is a symbol of the maritime importance of the West Sulawesi region. The greatness of
Paqbarre Allo
The word “Barre” means round and “Allo” means the sunlight. This motif is interpreted as
Dayak Taghol
Dayak Taghol has a distinctive style of four curved lines and small dots. This motif represents
Raja Ampat
Raja Ampat motif represents the marine life at Raja Ampat archipelago in
Kasih Tak Sampai
‘Kasih Tak Sampai’ is an idiom in the Indonesian language which refers to
Gonggong Beruntun
This motif illustrates that a person should maintain a positive attitude and
Kain Cual
Cual textile tradition has existed since the 17th century. The word “Cual” refers to
Tabir Tanjung
Tanjung flower is a type of Cherry tree flower, which is commonly found in
Tenun Bima
The motifs are adopted from Bima woven textile. This pattern has received a great

